Friday, August 17, 2018

Justify: Bittersweet Immortality

Back in February, trainer Bob Baffert went to the Santa Anita racing secretary to make sure a particular maiden race would fill because he had, as he put it, a potential Kentucky Derby horse to enter. The secretary was justifiably gobsmacked---that's one hell of a boast to make about any horse, but especially an unraced three year-old less than 3 months out from the first Saturday in May. Still, Baffert had trained no less than four Derby winners already including Triple Crown winner American Pharoah, so if anyone knew what a potential Derby horse looked like, it was Bob. The race filled and Justify went to the post as the odds on favorite after word of Baffert's confidence in him spread.

The big chestnut did not fail to live up to the hype. He broke slowly, but then jumped back into contention, making up the lost ground on his own and getting his head in front by the first quarter. By the time he'd run half a mile, he had widened his lead to half a length, and he was still just cruising along with no urging. At the top of the stretch, he was five lengths clear of the field with nothing more than a bit of hand-riding to encourage him to pick up the pace, and he continued to draw away, winning by more than nine lengths in a quick time of 1:21.86. It was a sensational debut for a maiden, and racing pundits sat up and took notice.

Justify's maiden win (via the Paulick Report)
A two-turn test in a muddy one mile allowance race was next with Hall of Fame jockey Mike Smith aboard for the first time. Justify broke a step slowly again, and Smith was content to let the colt rate behind the leader around the first turn and down the backstretch. Midway around the far turn with no apparent urging from Smith, Justify launched himself forward and passed the tiring frontrunner in a few strides. By the top of the stretch, he was clear of the field, and he flew home with ears pricked to win by six and half lengths in a solid 1:35.73.

Even though he had only two starts to his name, Justify certainly ran like a horse with Derby credentials, but in order to be eligible to run for the roses, he first needed to earn sufficient points to qualify. Baffert had originally planned to send him to the Arkansas Derby to prep as he had done with American Pharoah, but when his other top three year-old was sidelined with a bruised hock, Baffert decided to keep Justify in California for the Santa Anita Derby instead.

Facing more seasoned competition for the first time, including the talented Derby hopeful Bolt d'Oro, I thought Justify would likely be in over his head. Few horses are capable of running in a Grade 1 race in only their third start after all. Justify however broke well and moved easily to the lead, setting sensible fractions while running several lengths clear of the field. As they moved around the far turn, Bolt d'Oro began to close the gap, but before they'd even reached the quarter pole, his jockey had gone to the whip while Mike Smith still sat chilly. Coming to the top of the stretch, Bolt's jockey neatly cut the corner to save ground and moved to the inside. For a moment, he looked certain to gain on Justify, but with a little urging, Justify found another gear and pulled away again to win.

Justify in the Santa Anita Derby (photo by Jae C. Hong/AP)
I confess I was never really a fan of Justify's sire Scat Daddy nor of his sire Johannesburg. They were both precocious two year-olds who retired midway through their three year-old campaigns due to a seeming lack of stamina and/or injury, and I really didn't expect Justify would fare any better. The mile and a quarter Kentucky Derby tends to separate the men from the boys when it comes to distance ability, and many, many top youngsters have come up short in the stretch at Churchill Downs over the years. So while Justify came into the Derby off seemingly facile wins, I fully expected him to run out of gas at the quarter pole and finish up the track as his sire and grandsire had done before him. Furthermore, his juvenile training had been sidelined early on because of a pulled muscle, and he therefore did not race as a two year-old. No horse had been able to overcome that particular hurdle since Apollo in 1882, largely because building a foundation of strength and stamina over many months is essential for competing at classic distances. To say that the odds were stacked against Justify is an understatement.

Rain fell steadily all day in Louisville on Derby day, and it didn't let up even for the post parade or race. Despite the sloppy track and the usual scrum of 20 horses and riders literally jockeying for position, Justify broke well and moved right to the front, bringing the race to longshot Promises Fulfilled who led into the first turn. Justify shadowed him closely through opening fractions of :22.24 for the first quarter and :45.77 for the half, a suicidal pace that I thought for sure meant he would be cooked turning for home. Horses simply don't run that fast in the opening stages of a mile and a quarter race and have enough left to finish competitively. Nonetheless, Justify took over the lead midway around the turn while Promises Fulfilled, who was indeed fried by the hot pace, faded rapidly and ultimately finished 15th, some 40 lengths behind Justify.

Good Magic and Audible, both talented colts, made a run at Justify in the stretch, but neither could narrow his lead. He swept under the wire two and half lengths in front, smashing the 136 year-old "Curse of Apollo." Justify's incredible Derby performance made a believer out of me---he was clearly more than just a precociously fast colt. To have pressed that sizzling pace and still have had enough left in the tank to win convincingly---easily even---suggested that he was a rare talent.

(Photo by Darron Cummings/AP)
Worryingly, he was noticeably lame in his left hind the morning after the race. He was eventually diagnosed with a heel bruise and reshod with a three-quarter shoe before returning to galloping a few days later. With only two weeks between the Derby and Preakness, any setback like that is a cause for concern, but Justify seemed to bounce back with little fuss, and it was on to Pimlico as scheduled.

Once again, rain fell heavily on Preakness day, making for yet another sloppy track, Justify's third in only five starts. The deluge tailed off before post time, but thick fog rolled in to take its place. Visibility was reduced to a few hundred feet at best, meaning the horses were largely invisible from the grandstand until they were in deep stretch. Watching on TV, I was grateful for the multitude of cameras set all around the oval at Old Hilltop. The usual camera from the top of the grandstands would never have been able to find the field through the heavy fog. 

First time past the grandstand (Photo by Horse Nation)
Justify broke well and went to the lead, but this time Good Magic was sent with him and pressed the pace. The two horses raced head and head around the first turn, all down the backstretch, and around the far turn, too. Once or twice, Good Magic looked to have his head in front for a few strides, but Justify was utterly unfazed. As they neared the top of the stretch, Mike Smith turned Justify loose, and Good Magic grudgingly gave way. In the final sixteenth, Mike wrapped up on his mount, allowing late closers Bravazo and Tenfold to get terrifyingly close to nosing him out at the wire. I suspect Mike didn't realize how fast they were flying up behind him, and having put away Good Magic, he likely thought the race was won. Lucky for him, they ran out of track. Justify was headed to Belmont as the first horse since American Pharoah with a shot at the Triple Crown.

A little too close for comfort! (Photo by Mike Stewart/AP)
Having finally witnessed a Triple Crown only three years earlier, I was a bit nervous in the weeks leading up to the Belmont, but the resignation and expectation of disappointment that had always lurked at the back of my mind in past years were blessedly absent. Obviously, I did not want to wait another 37 years to see a Triple Crown winner again, but I felt fairly zen about the outcome of the race. Mostly. Whether or not Justify could win, it was going to be an exciting race, and even if he wasn't able to get the distance, he had still proven himself to be an outstanding horse. That said, I was prepared for Justify to not be a mile-and-a-half kind of horse, but having seen his extraordinary Derby performance, I was also hopeful that he really was a superhorse after all. To win the Belmont, he would need to be.

Horseman are often a superstitious bunch, especially people involved in horse racing. For example, one of Seattle Slew's co-owner's wore the same dress to the Preakness and Belmont after wearing it for his Derby victory. It had to be lucky, and why change something that might be working? Silly undoubtedly, but similar stories are woven throughout the history of the sport. So when it was announced that Justify would race with different silks for the Belmont, those of the China Horse Club rather than WinStar Farm (both part-owners of the horse), more than a few pundits predicted this change would doom his chances.

Nonetheless, Belmont day dawned clear and dry for once, and as horses probably can't see the color red anyway, Justify went to the post unconcerned by the change in his silks. Much like American Pharoah, he was sent right to the lead to dictate the pace. He settled into a comfortable rhythm and was allowed to set sensible, easy fractions with little pressure from the rest of the field. Watching him cruise around the first turn and up the backstretch, I was nervous, my heart was racing, and my hands had gone clammy. We might have had a Triple Crown only three years earlier, but watching Justify try for it was every bit as exciting.

Midway through the final turn, Justify still held the lead, and Mike Smith had not yet asked him to run. Behind him, the other jockeys were beginning to urge their mounts to pick up the pace. Seeing this, I was on the verge of hyperventilating---Justify clearly still had another gear while everyone else was struggling to catch him. At the top of the lane with a quarter-mile yet to run, Smith finally began to pump the reins and wave the whip, mostly to keep his horse from loafing on the lead. Gronkowski and Hofburg both made valiant attempts to catch Justify, but neither were really able to make up any ground, and Justify cruised under the wire a comfortable length and three-quarters in front. I of course screamed all through the stretch run again. Who could possibly believe we'd wait 37 years for a Triple Crown winner and then suddenly have two in the space of four years!

Striding into the history books (Photo by Julie Jacobson/AP)
Not surprisingly, the Belmont took a lot out of Justify, especially on top of such a short but rigorous campaign, and in the weeks following the race, Baffert reported that the horse had lost some weight, a typical consequence of a tough race. In early July, Justify returned to light training, pointing toward a late summer campaign. But after developing some inflammation in his left front ankle twice in the course of a week after workouts, his training was halted so the leg could be evaluated. When you've followed the sport as long as I have, you know these sort of pronouncements usually mean an extended break from racing, and very often outright retirement. Still, one always hopes for good news. Alas, it wasn't meant to be. On July 25th, Baffert and WinStar announced that the ankle was not responding to treatment as quickly as hoped, and because the necessary 60 to 90 day rest would mean missing the Breeders Cup Classic, the decision had been made to retire Justify. The news was disappointing but not unexpected.

Justify's career spanned just shy of four months, a total of 112 days from his first start to his last. In that brief stretch of time, he went from a maiden winner to an undefeated Triple Crown champion.  Given his dominance in every race, it seems hard to imagine him having any trouble with the final test of a three year-old, defeating older horses, but unfortunately, we'll never really know just how good he was. None of the other three year-olds this year were ever able to run with him and challenge him meaningfully. His winning times were solid if not scintillating, but his running style and winning margins suggest that he could have run faster had he been asked. There simply wasn't ever a need which in itself is pretty telling.

Knowing that Justify's sire had died untimely and that Coolmore (who stood Scat Daddy) had been making overtures to WinStar to buy Justify, his best son, it was a given the big chestnut would retire at the end of his three year-old season just as American Pharoah had done. That however doesn't do much to ease the disappointment of not seeing him race again this summer and fall. We are left to wonder what might have been and what more he might have achieved. For a few weeks, it seemed like we would have the chance to see not just two Triple Crown winners but maybe even two Grand Slam winners if Justify could score in the Breeders Cup Classic. I am grateful that we had the chance to see another brilliant horse like this without having to wait many long years as we did for Pharoah. Here's hoping that we are perhaps entering another golden decade of the sport like the 1940s or the 1970s!

* * *

A couple of years ago, I turned the head and swished the tail on this Lonesome Glory model, but I could never settle on which real horse I wanted to paint him after. Following Justify's retirement, the answer finally seemed obvious. I plan to paint a Classic-scale Justify portrait for myself at some point, but in the meantime, this guy is available on eBay. The auction ends this evening (Friday, August 17th).

"And they're into the stretch! And Justify comes roaring home to a raucous Belmont Park with one furlong to run! Gronkowski and Hofburg try to run him down. Vino Rosso is fourth. A sixteenth to go. Justify is still there! He's just perfect and now he's just immortal!"

Thursday, July 26, 2018

Post-BreyerFest Inspiration (of sorts)

I know I haven't posted much here, but I have nonetheless been slowly chugging away at my commission backlog, and I am happy that even more models are done, out of my studio, and home with their owners. There are still plenty of models to go, but I feel like the weight is starting to lift at last. I'm getting closer!

As usual, the bug to be productive kicked in hard right before I traveled to BreyerFest, and it helped motivate me to finish up and mail out a couple of models that had been lingering nearly done for far too long.

Now that I'm home again, I have a lot I would like to get done before the summer is over. I am inspired to get to work in the studio and on the studio itself. The first order of business is going to be to sort through my six body boxes and cull a bunch of the models. They take up too much space, and the reality of my ever actually getting to them all isn't high. Better to pass them along to other artists with more time on their hands. I then need to replace the decrepit desk my painting booth sits on and buy something sturdier with better storage capacity. I have a shelving unit picked out that should be ideal; I just need to sell a bunch of stuff so I can afford it.

With that in mind, in addition to the plastic body cull, I will probably be selling most of the rest of my resin collection and a number of miscellaneous Peter Stone and Breyer models. At the moment, I'm listing stuff on eBay---my seller name is kwkelt. One of the model currently listed is my 2018 NaMoPaiMo model who is now NAN qualified.

Stay tuned for more goodies!

Sunday, June 10, 2018

American Pharoah: Finally the One (and Justify, too!)

"And they’re into the stretch, and American Pharoah makes his run for glory as they come into the final furlong. Frosted is second. With one-eighth of a mile to go, American Pharoah’s got a two length lead. Frosted is all out at the sixteenth pole. And here it is! The 37-year wait is over! American Pharoah is finally the one! American Pharoah has won the Triple Crown!”

Photo by Chang W. Lee/The New York Times
A number of years ago, I began painting the American Triple Crown winners. I intended to paint all eleven, and I started with the last three from the 1970s, Secretariat, Seattle Slew, and Affirmed, thinking they'd be the most popular. I then went back to the beginning and painted Sir Barton and Gallant Fox before becoming distracted with other projects and other Thoroughbred portrait models.

When American Pharoah was crowned the twelfth Triple Crown winner in 2015 after an agonizing 37-year wait, I knew I had to pick the project back up again, starting of course with him. I was busy trying to clean out my commissions backlog, but I squeezed in work on him between painting other models. It took me two years to finally finish him up, and while I posted a picture of the model to my Instagram feed and started writing this blog last year, for some reason, I never finished it.

My Pharoah
Three weeks ago, the day before the Preakness as a matter of fact, my sister and I traveled to Kentucky to see our hero. As kids, we always watched the Triple Crown races together, and even now that we're older and live in different states, we talk horse racing regularly. When Pharoah won the Belmont, we both shrieked our excitement to each other across the miles through our phones. Seeing him together in the flesh was a dream come true. It was an amazing, wonderful, perfect day.

The horse of a lifetime
The next afternoon, we watched Justify roll to victory through the fog at Pimlico, and we got to scream and cry and hug in the same room for once. And now, with that big chestnut's almost unbelievable performance at Belmont yesterday, I find that I am hoarse from shrieking again, and I need to paint another Triple Crown winner! I can hardly believe it. Thirty-seven years of miss after miss after heart-breaking miss, and now we've had two Triple Crown winners in just three years. Thank you, racing gods! I am a happy, happy fan.

Wednesday, March 14, 2018

NaMoPaiMo 2018

The calendar says it's March, but Mother Nature hasn't even thought about spring yet here in Chicago. It even snowed yesterday just to remind us we've still got a good 6 to 8 weeks to go before the weather turns warm. I've experienced colder, snowier winters here, but the longer I live in Chicago, the harder they are to slog through. I know I suffer from seasonal affective disorder, and that combined with several weeks-long stretches of single digit temperatures in January and February made getting ready for NaNoPaiMo a challenge for me. Not only was it too cold to spray primer or fixative, the constant cold grey gloom was downright exhausting. Alas, hibernating until May doesn't pay the bills.

NaMoPaiMo is an event meant to encourage people to paint, especially people who are new to the hobby or who have never tried painting a model before. As someone who's been painting for a number of years, I feel like a bit of an imposter participating, especially when I have been steadily painting and finishing models this last year in order to clear out my backlog of commissions. Nonetheless, I needed a bit of a pick-me-up, and I had a blank copy of one of my new favorite molds just begging for some love, so I decided to go with a challenging color again this year to see if I could improve my techniques.

Greys, whether light, dark, medium, or flea-bitten, have always been the hardest colors for me to paint. I have experimented with airbrushing them, hand-painting them, pasteling them, and combinations of all three with varying success. In the last year or so, I have figured out a technique combining pastels and airbrushing with a little bit of hand-painting that I think works reasonably well. I would still like to finesse the shape and placement of my dapples, but this is definitely an improvement on past attempts.

After priming the model, I base coated it in soft white paint. I then used an old, worn brush to apply black pastel dust. (In this case, it was technically charcoal dust because I ran out of proper black pastels. The pastels are a tad softer and easier to blend, but charcoal sticks work nearly as well.)

I then used an eraser pencil to create dapples...

Which I blended a bit with the worn brush and a little more pastel dust.

I then sealed my work with Krylon fixative and moved on to the barrel using the same technique.

With each body section...

I repeated the same steps...

And I used the eraser pencil to gently tease out highlights in the muscle grooves, elbows, flanks, and other "warm" areas where horses tend to grey out first.

Once I had most everything but the head pasteled, I came back over the topline, shoulders, and rump with another layer to pastels to darken them up and add some contrast. I did the legs as well, but forgot to snap a photo.

I then airbrushed a very fine layer of dark grey and then a bit of black to add a little more of a contrast than I could achieve with just pastels.

I decided to go with one dark leg to give him a bit of character. I hand-painted the mane and tail, hooves, and face markings...

and voila! I'm pretty pleased with him. I managed to finish him up with about an hour and half to spare on February 28th, so right down to the wire in typical fashion. (These photos were taken late at night with soft lighting, so the color's a bit off.)

Having tried this technique a couple of times now, I have more ideas for tweaks and refinements, especially to the dappling. More practice is warranted, maybe on a Proud Arabian Mare?

I am still hard at work finishing up commissions---check out my Instagram feed for more pictures of models on their way home---and I will find some time to blog about them here, too, in the near future.


Sunday, December 17, 2017

More finished commissions headed home

The end of the year is rapidly approaching, and while I haven't finished clearing out my commission backlog as I had hoped, I am much closer to being done than I was when I first resolved to close my books and admit that I was in way over my head. I will be out of town briefly for the holidays, but I have a few more nearly completed horses that I plan to mail out in the last week of December once I return. Then if all goes according to plan, I hope to have the last of my commissions headed home in January and February. In the meantime, here are a few more ponies that have shipped out. Huzzah!

Thursday, September 7, 2017

Squirrels at a Rave

A funny meme came through my Facebook feed last week that said something along the lines of, "I don't have ducks in a row. I have squirrels. And they're at a rave." Given my last studio update, I thought it only fitting to recreate this title with Hagen-Renakers, too, because cosclay is apparently what my sister and I do now.

Seriously though, while my life is hectic right now with turnover at my real nine-to-five job and some large projects in the offing, it thankfully hasn't been all squirrels and glow sticks all the time, and I have been making steady progress completing commissions this spring and summer. Just since BreyerFest, I have mailed out 9 completed pieces, and boy does that ever feel good!

I have about two dozen commissions left to complete---they're all in some state of being partially painted, several nearly finished---and my goal is to have them all done and mailed by the end of the year. If I continue working at the rate I have been, I should be able to meet that goal. I am so much looking forward to having all of these models back in their owners' hands and feeling guilt-free about working on non-painting projects like writing, sewing, updating my sadly neglected website, cataloging my collection, decluttering, and even cleaning! (You know you've gone 'round the twist when you're actually looking forward to chores...)

Once I'm done with my current slate of commissions, I do not plan to take on more any time in the near future. It's much too stressful and I am simply too slow. I will be offering sales pieces periodically though. I'm looking forward to having a chance to try some colors and patterns I don't often get asked to paint like champagne, double dilute cream, and splashed white. I'm also itching to experiment with appaloosa patterns and brindling.

I will post more photos here of completed models as I send them out. It's a good morale booster to me to see progress even if my shelves of commissions still seem crowded (especially as the weather turns colder). I'm getting there, slowly, but steadily. Thank you all again for your patience! I am eternally grateful. <3 br="">

Wednesday, March 29, 2017

Man O' War's 100th birthday

"He was as near to a living flame as horses ever get, and horses get closer
to this than anything else." - Joe Palmer

One hundred years ago today, a true legend was born. Even now, after a century has passed, he remains the benchmark against which all great horses are measured. Few have come close and none have been his equal. The simple notation below in the Nursery Stud foaling ledger gives no hint of what was to come. And how could it? Who would dare dream up such a horse, such a career, such a legacy? Who would believe it if it hadn't really happened? And yet it did, and the echoes of his greatness still ring down the years despite a world very much changed since 1917.

"March 29th, 1917 - Mahubah foaled ch colt by Fair Play. Star, narrow broken
stripe from right of star down center of nose. Height 42 Girth 33"
(Nursery Stud foaling ledger, collection of the Int'l Museum of the Horse, Kentucky Horse Park)
Mahubah's chestnut colt by Fair Play was of course Man O' War, the greatest Thoroughbred to ever grace the track. I have blogged about him and the models made in his likeness on my collectibility blog in the past, but as today is his 100th birthday, and as he is the source of my lifelong passion for horse racing, I thought I would write a bit about him here, too.

My earliest recollections of horse racing are of my dad reading C. W. Anderson's horse stories to me. Anderson wrote about Man O' War with the greatest reverence, and when I was old enough to read myself, I devoured every horse book I could find to learn more.

My love of horse racing was thus formed early on, and I have collected a number of books, art, figurines, locks of mane and tail, win tickets, race programs, and other bits of racing memorabilia over the years. My Man O' War memorabilia collection is small (if you don't count the books), but here are some of my favorite pieces.

My George Ford Morris print of Man O' War
A pretty and decorative Man O' War coaster (?)
My Hagen-Renaker DW Man O' War
Carol Williams' Valor resin that I painted as a portrait of Man O' War
I have made a few pilgrimages over the years to places where the great horse once stood at stud, like Faraway Farm where his sire and dam are buried. (Apologies for the poor film quality.)

Faraway Farm before restoration
Man O' War Farm just down the road from Faraway was also the site of MOW's original burial.

And his stall at MOW Farm where mares are still foaled out in hopes of a bit of extra talent and good luck.

Fortunately, my family settled within relatively easy driving distance of Lexington, KY, so I've been able to make the trek to BreyerFest every year since it began in 1990. A visit to Man O' War's current burial place at the Kentucky Horse Park to pay my respects is a yearly tradition. He rests under a larger than life bronze by Herbert Haseltine near the entrance of the park. A shady avenue leads to the monument from the visitors' center.

Historical marker near MOW's grave

Several of Man O' War's offspring are buried there as well, including his two most influential sons, War Admiral and War Relic. Man O' War's sire line has become a bit rare these days, surviving primarily through his great-great-great-great-grandson Tiznow. Interestingly, Man O' War's sire line is also just about the last of the Godolphin Arabian's tail male line. I worry that it may fizzle as the Byerley Turk's line seems to be doing, but the tail male line is really only part of the picture. Man O' War's daughters were phenomenal broodmares, as were the daughters of some of his best sons. The blood of War Admiral, War Relic, Intent, In Reality, Salaminia, American Flag, Wavy Navy, and others flows in the veins of many modern champions like American Pharoah, Arrogate, California Chrome, Rachel Alexandra, Zenyatta, Ghostzapper, Point Given, and so many others.

We have been blessed in the last few years with some incredibly talented horses---a Triple Crown winner at last!---and with every new crop of foals, hope springs eternal. It always puts me in mind of the last few stanzas of J. A. Estes' poem "Big Red."

"A foal is born at midnight
And in the frosty morn
The horseman eyes him fondly,
And a secret hope is born.
“But breathe it not, nor whisper,
For fear of a neighbor's scorn;
He's a chestnut colt, and he's got a star;
He may be another Man O' War.
Nay, say it aloud; be shameless.
Dream and hope and yearn,
For there's never a man among you
But waits for his return."

Happy birthday, Big Red.